Out Came the Sun Read online

  CONTENTS

  1 THE SOUND IN THE DREAM

  2 THE BABY IN THE HOUSE

  3 THE TRIP IN THE CAR

  4 THE FATHER IN THE HOSPITAL

  5 THE MOTHER IN THE HOSPITAL

  6 THE DAUGHTER IN THE MAGAZINE

  7 THE DAUGHTER IN THE MOVIES

  8 THE NAME IN THE CREDITS

  9 THE NUDE IN THE FRAME

  10 THE FACE IN THE MIRROR

  11 THE MAN IN THE RESTAURANT

  12 THE WEDDING IN THE CHURCH

  13 THE SPIRIT IN THE ROOM

  14 THE SISTERS IN THE KITCHEN

  15 THE WEIGHT IN THE EYES

  16 THE MAN IN THE MIDWEST

  17 THE SILENCE IN THE LINE

  18 THE SPACE IN THE ROOM

  19 THE PAIN IN THE HEAD

  20 THE TIME IN THE DRIVEWAY

  21 THE LIFE IN THE MOVIE

  Epilogue

  A LETTER FROM CUBA

  Photographs

  APPENDIX

  Resources for Mental Health, Substance Abuse, and Better Living

  Acknowledgments

  About Mariel Hemingway

  To Bobby Williams, who has given me the gift of always seeing me as whole and complete. You challenge me daily to look at myself honestly. Thank you.

  And to Dree and Langley for allowing me to love you and cherish you in your confidence, beauty, and creativity.

  1

  THE SOUND IN MY DREAM

  I HEARD THE NOISE IN MY DREAM FIRST. I couldn’t remember the dream, not exactly, but I knew there was a shelf and something teetering on it. When it toppled, it smashed to the floor with a loud crash.

  My eyes fluttered open. I was safe in my bed. My sister was on the other side of the room, safe in hers. A night-light glowed warmly in the corner. All was good. It was just a dream. I closed my eyes and tried to sink back into the comfort of sleep.

  But then there was another crash, and a dull thump, and words I couldn’t quite make out, spoken at high volumes by two voices. The voices were coming from downstairs. One was clipped and efficient, unemotional even in anger. That was my mother. The other was louder, deeper: my father. The higher voice stabbed at the air. The lower voice responded. My eyes came open again.

  The night had started promisingly. We were hosting a dinner party at our house. My parents were like many other American couples in the mid-sixties. My father, Jack, was big and broad. He wore fishing shirts and khaki pants during the day and transitioned to something slightly more formal in the evenings: a cleaner shirt, maybe plaid, and corduroys. My mother, Puck—her real name was Byra Louise, but no one called her that—was skinny and impeccably dressed; she favored blouses paired with skirts or slacks. My mother mostly did what most mothers did back then. She took care of the house. She cleaned and she tended to the children and she straightened up and made sure that the furniture wasn’t getting too worn and that the plants and flowers on display were fresh.

  Above all, my mother cooked, and when my parents had a dinner party, she took control. She marched into the kitchen with a determined look on her face and spent the afternoon filling the house with the smells of rosemary, garlic, and thyme. She smiled when she cooked: she was at her happiest when there was a task in front of her, especially a task she knew would bring pleasure to others. She didn’t need time to do her hair because it was done weekly at the beauty shop, sculpted into an impressive stack that was almost a beehive. She wore flats, never high heels. The women in my family were tall enough without help from their shoes.

  At seven, the doorbell rang. The door opened to show other couples, professionals from town: doctors, lawyers, maybe academics. They tended to be older than my parents, people who had made a little money elsewhere in the world and fancied themselves intellectuals. They came to our house for the conversation. Stories were told. Jokes were traded. Bottles of wine were opened, maybe bottles of whiskey. My older sisters made small talk with the guests.

  As the youngest daughter, I was too small for small talk, so I helped with the food. I baked pies with my mother and twice-baked potatoes. I even helped with the drinks. I was trained in basic cocktails by the time I was six, and I knew how to twist a bottle of wine just right so that not a single drop spilled. When I went to bed at ten or so, a half-dozen hands waved at me. “Good night,” everyone said. I was exhilarated but also exhausted, and I usually fell asleep the second my head hit the pillow.

  While I slept, the world changed. My parents, with others, could be charming and happy. They were the life of the party so long as there was a party. When the party ended, though, the air went out of the room. My mother and father took up positions in separate corners. She perched on the couch. He collapsed into his armchair. That’s when the trouble began. The first comment might be innocuous. Maybe my mother would observe that my father hadn’t let one of the other men talk, or my father would make a joke about the way that one of the other women had looked at the food. But that first remark would trigger a second, and a third. Comments about the dinner bloomed into comments about everything else: the house, the family, the marriage. Alcohol accelerated my parents toward their destination. My mother snarled. My father shouted. Insults were hurled, and sometimes bottles along with them. One of them, thudding into the wall, woke me.

  The battles and the bottles didn’t happen every night, but they happened on the nights when guests came over, which were also, inevitably, the nights when guests left—and left my parents to their own devices. Those fights remade the house, changed it into a minefield. I stayed awake in bed, eyes open in the dark, and tried to imagine safe places I might step. I toured the first floor in my mind: the yellow kitchen cabinets and robin’s-egg-blue walls around them, the brown-paneled family room with Western-themed paintings hung next to the bookcases, the brown leather recliner where my mother sat, my father’s dark green armchair, the thick orange shag carpet in the formal living room. It was an ordinary suburban house, but when I went through it in my mind, every inch seemed perilous.

  The fights went on, sometimes long into the night. I listened as long as I could, never quite hearing specific words, instead hearing bass tones and treble tones, sometimes overlapping. Arguments like that claim many victims. The participants, of course, are the primary victims. They say things they wish they hadn’t said and hear things they wish they hadn’t heard. But those within earshot of the fights are victims as well. From the moment I woke to the sound of shouting until the moment I fell back asleep, I wondered why my parents couldn’t get along, why they couldn’t control their drinking and their angry words, whether the fault lines that ran through my family ran through me also.

  Saddened and scared, I stayed in my bed and stared around my room, knowing that behind the darkness were clean white walls. It was a small kingdom and I was the sovereign, and that meant that I controlled every aspect of it. I was, even then, preoccupied with that idea of control. When I woke up in the morning, I made my bed until the sheets were perfectly flat, without a single errant crease. Before I went to bed at night, I arranged my toys carefully on the shelves. I didn’t know what else to do. And when I heard my parents fighting downstairs, when I heard voices raised in anger, when I heard thumps and crashes, I burrowed even further down into my sheets, cocooned myself even more in the perfect little world I had created for myself. I fought chaos with order. Later on, that obsession with self-control would touch every aspect of my life—my relationship with food, with men, with work, with my own emotional honesty—but at the time it saved me. I controlled my immediate environment so vigilantly because I didn’t know what else to do. I knew that there was no way I could dissolve my parents’ anger, no way I could make the bottles fly backward through the air into hands—and then, even
before that, refill them with the wine and place them back onto the shelf. You can’t reverse time, even when you lie there in bed and wonder why you can’t. But this book is the story of how you can go back in time. I will go back to the beginning. I will travel from Monte Nido, where I live now, to Mill Valley, where I was born. It’s a day trip up the California coast, only four hundred miles, but it’s a million miles too.

  2

  THE BABY IN THE HOUSE

  MANY GREAT WRITERS have written about family. It’s one of literature’s primary subjects because it’s one of life’s primary subjects. The most famous quote, of course, is from Tolstoy: “Happy families are all alike; every unhappy family is unhappy in its own way.” It’s used so often that it’s a cliché by now. Even though I come from a family that could easily be classified as unhappy—and I, at times, have classified it that way—I won’t use that quote.

  The quote that I think I’ll start with is one that risks being a cliché for entirely different reasons: “The world breaks every one and afterward many are strong at the broken places.” That quote comes from my grandfather, the American author Ernest Hemingway. It’s from A Farewell to Arms, the novel he published in 1929 that became his first best seller. It’s a book about war and how it affects both the people who are in it and those who are near it, and how there’s not as much difference between the two as it might initially appear. The quote goes on, in a slightly more depressing vein: “But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.”

  He wasn’t writing explicitly about family, but the passage always makes me think of family. Specifically, it makes me think of my family, which was a family he helped to create when he and my grandmother had my father a few years before A Farewell to Arms. My family—my father, my mother, my two sisters, and myself—is the kind of family that, in today’s era of euphemism and doublespeak, gets called “dysfunctional.” In the plainspoken language my grandfather favored, it was a family torn by sadness and disappointment, one in which human frailty and flaws were on constant display. There were emotional problems. There were mental problems. There were addictions. There were suicides. There were problems within people and problems between people. We felt alone when we were together.

  It was a family with breakage, though it never actually broke apart. My parents stayed together for years and years. But that means that the breakage also persisted—it became a central part of how the family was built and how it operated. My sisters and I grew up inside that environment, became defined by it, tried to find ways to negotiate it, and ended up contributing to it despite our best efforts. And yet as I grew up in my family, I didn’t think much about whether or not it was broken. That’s an outsider’s thought. When you’re inside a situation, moving through it day to day, you just think of it as the life you’re living, as this intimately and permanently linked group of people with specific challenges and triumphs.

  Throughout my life, people have spoken about the Hemingway curse. They pointed to the many difficult things in my family: alcoholism, mental illness, suicide—all of which happened to Hemingways before I was born and would continue to happen to Hemingways throughout my adult life. I was confused. I learned to scoff at the idea, to dismissively say that the people who called us cursed didn’t know what they were talking about. But also, to be honest, I didn’t know what they were talking about. I didn’t like the term. It was a nasty word that suggested a lack of control—and there was another dimension too, because it’s what my mother used to call getting your period. In my mind, those meanings collided and produced the sense of something dirty: of physical uncleanliness, of moral rot, of a sense of blame laid at the feet of those very people who were suffering. At the same time, though, when people talked about the Hemingway curse, I paid closer attention. I tried to see if I felt its weight upon me.

  As I have gotten older, as the events of my youth have become more distant, I have started to think back through the days and months and years, not only to make sense of them now but to think about how I made sense of them back then. Most of what I did back then was a mix of instinct and analysis, of love and fear, of luck both good and bad. Very little of it was done with a sense of larger insight. Sadly, life is laid out in such a way that you do things long before you understand them. (The key quote here is from Kierkegaard, rather than Tolstoy or my grandfather: “Life can only be understood backwards; but it must be lived forwards.”) When I was a child, acting the way I did, obsessed with cleanliness and control, constantly at war with the unruliness of the rest of my family, was I aware of the reasons? Hardly.

  There’s also the issue of other people’s behavior. It’s narcissistic to assume that everyone else in my life—even everyone else in my family—acted in ways whose primary purpose was to affect me. In most cases, they were just being themselves in the only way they were capable—imperfectly, injudiciously, moving forward with a mix of blindness and sight. Remembering that, remembering them, I have to resist the temptation to make them into part of my story at the same time that I have to acknowledge that’s the only thing I am capable of doing.

  Here, too, I look to my grandfather for inspiration. My favorite book of his is A Moveable Feast, his reminiscence of Paris in the 1920s. It’s a book that’s meaningful to me because I went to Paris with my father when I was eleven, and he toured me around the city, bringing the pages of the book to life. But it’s also a tutorial on how to convert life into literature without giving in to certain temptations. A Moveable Feast is not, on its face, a dramatic story, and yet it deals with deep feelings of love and sadness, of creative triumph and personal memory.

  This book exists in that same spirit, though it’s different in many ways—possibly in all ways. But it’s a watershed in two respects: It separates the turbulent flow of the past from the calmer waters of the present. And it also represents a turning point in the way I see my own history. For years, I pushed aside the most painful and difficult aspects of my family history, or buried them deep inside so that I could move forward with everyday tasks. I am done pushing things aside. Instead, I have decided to look at my life directly, to be clear-eyed about its sorrows but also its joys. This book not only gives me voice—it is my voice.

  Most important, my book isn’t only for me. It’s for the rest of my family, though most of my immediate family are gone now, taken by time and their own frailties. But beyond that, it’s for anyone who has ever been part of a similar family—and by that I mean a family rich with both triumph and tragedy. I hope that this book encourages others to investigate their own families and their own difficult memories. Tell your story. Look at yourself by looking at those who were around you from your earliest days. A family is a cracked mirror that nevertheless reflects us accurately. At long last, I am willing to look in that mirror. My family made me, and through an act of memory I can now remake it. Life happened to me—happened all around me—and I learned, slowly, to make myself happen.

  * * *

  MY FIRST MEMORY is something I can’t possibly remember, which is my older sister, Margot, dropping me on my head. I was premature by about two and a half months—my mother smoked and drank during the pregnancy, as many women did back then, and there was a joke in my family that I came out because I needed the air. Being ten weeks early meant that I was tiny, only about three pounds, and I had to stay in the hospital an extra month. When I finally came home, it was just before Christmas 1961.

  We lived in Mill Valley, just north of San Francisco, in a ranch house surrounded by other ranch houses in a nondescript suburban neighborhood. There was a long gray hallway that ran right down the middle of the place, and my mother stood at the head of the hall while everyone else clustered down at the other end. She held me up for them. That was my announcement and that was my arrival: Mariel Hadley Hemingway, welcome to the family.

  Who
did I see standing down at the other end of the hall? I saw a tall, strong man and two girls. Joan, who everyone called Muffet, was eleven, a strawberry blonde who already had an elegance about her. When she spoke, it was precise, almost lyrical. When she moved, it was like dancing. Margot was seven, also pretty, with darker hair than Muffet, prominent buckteeth, and a mischievous and demanding personality—she was always testing, needling, needing. That first holiday season, my parents left me in a room alone with her, and after ten blissfully quiet minutes, there was a piercing shriek. They rushed in to find me on the floor. She had dropped me on my head. Margot got sent to bed without dinner, and she wasn’t allowed to watch TV even when she asked nicely. I don’t think I thought much about either punishment or crime back then. I doubt I thought much of anything other than feeling terror as I saw the ground rushing up at me. But now, a half century later, on the other side of childhood, with grown daughters of my own, it makes sense. Margot had been the baby of the family, and I came and took that all away from her, a three-pound grenade lobbed right into the center of her world.

  Memory skips ahead. There are comforting stretches of blankness, and then it’s my second birthday. I rode the crest of that wave through the day, proudly. I wore a dress with puffy sleeves that made me look a doll, and I loved that feeling. Dolls got attention and pride of place and special treatment.

  “I’m making a cake,” my mother said, and disappeared inside the kitchen. I wasn’t certain exactly what that was, a cake, but I heard the word enough times that it acquired magical properties. Though I had a bad angle from down on the floor, I could see the flour on her hands and the expression of concentration on her face. I could smell the warmth in the kitchen, the sugar and the batter. Whatever a cake was, I was certain it would change my life.

  Then, all of a sudden, my mother stepped away from the bowls and the pan. She washed her hands in the sink quickly. I wasn’t on the floor in the kitchen, smelling that sweet hot smell anymore. I was with my parents in the living room, watching our tiny black-and-white TV, first for a minute, then for ten minutes, then for an hour, then for an eternity.